Shot in breathtaking 70mm in 24 countries on six continents, BARAKA is a transcendent global tour that explores the sights and sounds of the human condition like nothing you ve ever seen or felt before. These are the wonders of a world without words, viewed through man and nature s own prisms of symmetry, savagery, harmony and chaos.
BARAKA produced by Mark Magidson and directed and photographed by Ron Fricke, award-winning cinematographer of KOYAANISQATSI and creators of the IMAX® sensation CHRONOS has now been fully restored from its original camera negative via state-of-the-art 8K UltraDigital mastering to create the most visually stunning Blu-ray ever made.
- Error
|
Movies / TV / Music Blu-ray / DVD Baraka
Baraka
|
| Blu-ray |
User reviews
Average user rating from: 1 user(s)
Koyaanisqatsi Re-visited
A friend of ours asked us to watch this with them over the weekend. Three months ago, another friend had had us watch Koyaanisqatsi with them. Make no mistake, they are definitely different versions on the same theme. We loved the Philip Glass music score to Koyaanisqatsi, but man, that movie is an hour longer than it should be. It was exhausting to watch the constantly repeated images and repeated takes of rolling clouds, traffic and assembly lines. My husband and I were rather shocked to see the exact same scenes replayed in Baraka. I kept wondering why there hadn't been a copyright infringement lawsuit, until I read that the same person had worked on both films.
What we enjoyed about Bakara was the superior filming technology, as well as the variety of architecture and cultures portrayed in this version. I was particularly struck with the beautiful religious buildings, and the cultural practices such as the chanting and most notably the cremation scenes from India.
What was particularly annoying were all the scenes that were pretty much image for image taken from Koyaanisqatsi. The rolling clouds, the long segments showing people staring at the camera, the assembly line scenes, the scenes of the streets with the traffic filmed in time-lapse. My husband and I couln't believe how similar the two films were. I am sure that it wouln't have taken such a negative twist if we hadn't seen Koyaanisquatsi first, but alas we did. But yes, they are pretty much the same, there is still the clear message of a disintegration of humanity, and loss of spiritualism. I agree that the message is important. I think we just felt cheated by the fact that they are marketing this as something completely new, and it is clearly not.




